Saturday, December 29, 2012

KERALA TOUR AND TRAVELS

1. Creative Tours & Travels (I) Pvt Ltd.
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Near Metro Cinema, Dhobitalao,
Mumbai 400 020.

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Kochi. – Regional Office – Kerala

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Thursday, October 4, 2012

KOCHI (Cochin) - 'Queen of the Arabian Sea'



KOCHI (Cochin) - 'Queen of the Arabian Sea'

Cochin is vibrant city situated on the south - west coast of the Indian peninsula, in the breathtakingly scenic and prosperous state of Kerala, dubbed 'God's own country'. It centuries in underlined by the sobriquet 'Queen of the Arabian Sea. Informally, Cochin is also referred to as the Gateway to Kerala. From time immemorial, the Arabs, British, Chinese, Dutch, and Portuguese have left indelible marks on the history and development of Cochin. Over the years. Cochin has emerged as the commercial and industrial capital of Kerala and is perhaps the second most important city on the west coast of India (after Mumbai/Bombay). Cochin is proud of its world class port and international airport that link it to many major cities worldwide. Cochi, is situated on the west coast of India in the beautiful state of Kerala. It is flanked by the Arabian Sea on the western side and the Western Ghats on the eastern side. Cochin is one of the finest harbours of Kerala and is suite famous as the commercial hub. Discover the beauty of Cochin city as your enter and explore the many faceted of the city. The city host a number of attractions that will surely entice you. 


BEST TIME & CLIMATE: Being situated very close to the sea, Kochi has a moderate climate. Heavy showers are experienced during the months June, July and August dvd to t'd South-West Monsoon. In summer the temperature rises to a maximum 35 C while in winter it is around 25 C. The best time to visit Cochin is between December to February when the weather is cool and pleasant. 


How to get there: By Air - Cochin city directly connected Delhi, Mumbai, Madras, Goa, Bangalore, and Thiruvananthapuram. All major domestic airlines have their services to Cochin. By Rail - Cochin is connected by rail to most of the important cities like Delhi, Mumbai and Chennai. By Road - Cochin is connected by road with several tourist centers in India. It is 565 km from Bangalore, 223 km from Coimbatore, 848 km from Goa, 694 km from Chennai, 470 km from Mysore, and 312 km from Ootacamund. Ferries - Ferry service is available for travel between the island towns. 



Thursday, September 27, 2012

TRICHUR



TRICHUR
 Trichur occupies a prominent place in the history and culture of Kerala and is said to be the Cultural Capital of the State. It is also one of the main trade centers in the state. The present Trichur District was carved out of a bigger District of the same name on 1st April , 1958. It derives its name from the location of its headquarters at Trichur. The name Trichur derives from 'Thrishivaperur' or the place with 'Lord shiva's name' . The town is is thus built around a hillock atop which is the Vadakkaumnathan Kshetram or temple which has Shiva as the presiding deity. Adi Sankara is supposed to have spent his last days in this temple; a shrine dedicated to him lends credence to this belief. Trichur rose in importance due, it is believed, to Raja Rama Varma, popularly known as 'Sakthan Thampuram' who ascended the throne of Kochi in 1970. Large areas of Trichur were captured by the zamorins of Kozhikode in the 14th and 15th centuries. Later, in the latter half of the 18th centuries, Tipu Sulthan held sway over Trichur until the European domination began under the Portuguese, the Dutch and the English. Long ago, the vast open area around the temple was a magnificent teak forest called Thekkinkadu. Today the forest has given way to one of the most important examples of Kerala's architecture which often does away with the imposing 'gopurams' of South Indian temples. This temple features low, tiled roofs, an abundance of woodwork, and the famous 'Koothambalam' of theatre hall with sloping roofs of metal plates within which is performed the dramatic art for 'Chakiar koothu'. The Vadakkumnadam temple is also well known for its murals depicting scenes from the Mahabharatha as well as exquisite paintings and carvings.
South East corner of the district is bounded by Tamil Nadu. The Periyar, The Chalakkudy, The Karuvannur and Ponnani (Bharatha Puzha) are the main river systems in the district. A place of great antiquity, Trichur was also known by such names as 'Vrishabhadripuram' and 'Ten Kailasm' in ancient days. The famous Kerala Kalamandiram, Cheruthuruthi, founded by the late poet Vallathol Narayana Menon, is in Trichur District. The Kerala Sahitya Academy and Kerala Sangeetha Nadaka are situated in Trichur town.  

GURUVAYUR
 Located 29 km north-west of Trichur District in God's Own Kerala, Guruvayur is one of the most important pilgrimage centers of South India. Guruvayur is also called the Bhoolokavaikunta- the haven on Earth . The square  Sreekovil   is the sacred sanctum sanctorum of the temple, housing the main deity of Lord Krishna, an incarnation of Lord Maha Vishnu. It is this temple that Melpathur Narayana Bhattathiri composed his well-known  Sanskrit devotional poem 'Narayaneeyam'. The temple is renowned for its healing powers. Several offerings are made to the deity here from the simple 'Archana' (offering of flowers) to the expensive and elaborate 'Udayastamana pooja' or 'Thulabharam' where a devotee is weighed against offering of Bananas, sugar, Jagger or coconuts. Guruvayur is the site for weddings and Annaprasanam, the first feeding ceremony of a child. This is probably the only site for several wedding and ' Annaprasanam', the first feeding ceremony of child. Within the temple, there are also the idols of Ganapathy, Sree Ayyappa and Edathathy Kavil Bhagavathy. Only Hindus are allowed inside the temple. The walls of the sanctum sanctorum are inlaid with exquisite mural paintings are carvings. The eastern nada is the main entrance to the shrine. Just in front of the temple there is a huge tower of light, it has thirteen discs including basement and is 24 feet in height. There are four  Deepasthambams made of brass, inside the temple. One at northern wing was smashed by the Gajarajan Kesavan. The eastern tower, Kizhakke Gopuram (eastern tower ) is 27 feet in height. In the Chuttambalam (outer enclosure)   is the tall 33.5 o high gold slated wajasthambam (flag post). There is also a 7 o high dipastambham (pillar of lamps), with its thirteen circular receptacles, which provide a truly gorgeous spectacle when lit. The temple is dedicated to Krishna known here as Guruvayurappan or the Lord of Guruvayur. 

PUNNATHOORKOTTA   
Punnathoorkotta which is 2 km from Guruvayur. Is the largest elephant park in the world with over 60 elephants. The devotees of Guruvayurappan have donated all them. Brought as ritual of ferings to the temple, there elephants are groomed at this fort. It is an interesting site to visit as one gets to see at close quarters so many turkers together.    



MAJOR ATTARACTIONS
Zoo and Art Museum- Situated at a distance of 2 km from Trichur center, the State Art Museum and Zoo are both enclosed within the same boundary and offer a fine dwelling place to a variety of endangered species. It also has a famous snake park The ask museum displays collections of wood carvings, metal sculptures and ancient jewellery, religious idols, kathakali figures, traditional jewellery of Kerala and a vast collection of traditional lamps.    

ATHIRAPILLY - VAZHACHAL WATER FALLY
Sited at 62 km south of Trichur, Athirapilly and Vazhacgal are one of the most attractive waterfalls in the State. Being 400 meters wife and falling through a height of 80 meters. There waterfalls make an enchanting experience for any visitor. The lovely forest and cool water offer a quiet tranquility for the jaded mind. Aughsarilly and Vazhachal water falls are situated just 5 km apart from each other. 





PEECHI
A fascinating picnic spot, is well known for the Peechi dam, located 23km east of Trichur. This dam project, which started as an irrigation project, offers coating facilities at the reservoir. The 125 sq. Km Peechi Vazhani Wild Life Sanctuary, located here is good to wild tuskers, Tigers, Leopards and Wild Dogs, Sambar and the Spotted and Barking deer. With more than 50 species of orchids and medicinal plants, the sanctuary is a veritable treasure trove of rare flora and fauna. The place is congenial for boating and trekking. 

ANAKKAYAM-
  Anakkayam, which is roughly 20 km from Chalakudy on the Sholayar Perimgalkuthu route, is popular tourist spot. It is famous for its lake with cool and plaid waters. The place derived its name from the fabled incident of a herd of elephants, which got drowned in this very lake. The place is breathtakingly beautiful with its pushing waters, chiseled rocks and silent streams.   








Wednesday, September 26, 2012

KERALA ARTS

KERALA ARTS
    Kerala has a rich tradition in art and dance forms like any land, Kerala also has it own typical art forms, which reflect the life and outlook of the people. ‘Kathakali’ is the most popular dance of the state. It is unique in several features and can be distinguished on the basis of make-up and costumes. It comprises of Both ‘Thandva’ and ‘Lesya’ elements of dancing. Women generally do not participate in this dance. ‘Mohiniyattam’ is another typical dance of Kerala. ‘Ottamthullal’ is solo dance in which the dance wears colourful coustumes as in ‘Kathakali’

KATHAKALI
Kathakali is a stylised dance-drama? Is it a pantomime? Can it be called a classical ballet? One of the world's stop-ranking poet and Nobel laureate Rabindranath Tagore was instantly impressed by the aesthetic range and the narative techniques me Kathakali when Kalamandalam presented a programs go Santiniketan. Kathakali was born only in the 17th century
               Click Here To Full Read


KOODIYATTAM
Koodiyattam is the sole surviving classical Sanskrit theatre in India. It is a two thousand year old theatre-tradition. Traditionally Koothu and koodiyattam are the privileges of the temple castes Chakyars (the women of the Nambiars) enact the male-characters. Nambiars play Mizhavu, the major percussion-instrument in Koodiyattam. 



 MOHINIYATTAM
There is no precise historical evidence to establish the antiquity of Mohiniyattam, the classical female dance-tradition of Kerala. Probably it was evolved in the seventeenth century. In the court of King Swathi Thirunal who ruled Travancore (South Kerala) in the 18th century, Mohiniyattam, the classical dance of Tamil Nadu. The post-Swarthy period witnessed the downfall of Mohiniyattam. 'The dance of the enchantress' slipped into eroticism to satisfy the epicurean-life of some provincial satraps and feudal Lords. Poet Vallathol rescued Mohiniyattam from total extinction. It was added to the curriculum of Kalamandalam in 1930.  The makeup and dressing for Mohiniyattam is simple and she wears sandal coloured jacket and sari. Jasmine flowers adorn her tied up hair. She decorates her eyes with Kajal and the lips are reddened. The theme of Mohiniyattam is devotion to love of God. Vishnu or Krishna is more often the hero. We feel his invisible presence when the heroine or her friend (sakhi) describes him through hand-gestures, delicate and circular body-movements

THEYYAM
A ritual dance form of Kerala, glorifying the goddess. Themes revole around the triumph of the goddess over the demon Daruka and other evil characters. Always performed by men,  they also enact female roles wearing exotic makeup and colorful costumes.  Theyyam also known as Kaaliyaattam, it is a ritual dance popular in north Kerala or the erstwhile Kolathunadu. Theyyam incorporates dance, mime and music and enshrines the rudiments of ancient tribal cultures which attached great importance to the worship of heroes and the spirits of ancestors. Of the over 400 theyyams performed, the most spectacular one are those of Raktha Chamundi, Kari Chamundi, Muchilottu Bhagavathi, Wayanadu Kulaveni, Gulikan and Pottan. These are performed in front of shrines, sans stage or curtains, by persons belonging to the Vannan, Malayan and other related castes.

THULLAL
Thullal is the successor of Kathakali. Kunchan Nambiar who lived two centuries ago wrote the text of Thullal and choreographed it for the stage. All the sixty plays of Thullal composed by Kunchan Nambiar are replete with humour, sarcasm and social criticism. Thullal has three divisions - Seethankan, Ottan and Parayan. The distinction between them lies mostly in the makeup and costumes and to some extent in the metres and the rhythm used. Thullal often reflects the literary, artistic and cultural life of the medieval Kerala. In Thullal, episodes from the Indian Epics and rotold in simple Malayalam poetry. The stylized singing of the lines carries with it the beauty of the Dravidian metres. Thullal is a solo performance. As a semi-stylized dance theatre, Thullal is a more popular entertainment than other temple arts. The performer establishes easy rapport with the audience through verbal acting which is full of humour and social references.

PANCHVADYAM
'Pancha' (five) 'Vadyam' (orchestra) is an orchestra, typical of Kerala, consisting of five instruments: Kombu, Edakka, Thimila, Illathalam and Maddalam.




 
PANDIMELAM
 An orchestra consisting of four instruments: Chenda, Kuzhal, Kombu and Illathalam. This combination is used mainly in major temple festivals of Kerala like the Thrissur Pooram. 


THAYAMBAKA
A renowned orchestra of Kerala featuring a unique symphony of chendas beaten in a pouring rhythm.





TIMILA
An hourglass shared drum made from polished lackwood. A creeper is used to make the Frame or Valayam. The drumheads made of calf hide are held together by leather braces, which are also twined around the waist of the drum. This mechanism helps in adjusting the pension and controlling the sound. Thimila is an important instrument in 'Panchavadyam', Kerala's traditional orchestra of five instruments. It is a must during temple rituals like 'seeveli', a ceremonial procession of deities.

EDAKKA
An extremely sensitive percussion instrument. Made of wood and about a quarter metre long, the drumheads are held in a position by interlacing cotton threads. The player beats the drum with one hand while simultaneously manipulating the strings with the other thus creating a variety of musical notes. 


BOAT RACES


BOAT RACES.

 In alappuzha the land of lakes and rivers, snake boat racing is something of cult. Sleek and immaculately poised, the snake boats are the pride of every village. These race boats dominate the thoughts and actions of the people of this region during the months of august and September, when newly 20 minor and major regattas are held. The water festival in alappuzha is unique. No other country in the world has such festivities. The large number of participants in a racing boat marks still the uniqueness that no other sport in the world has such a large number in a team. The synchronized way of rowing offer long and devoted training and inherent aptitude. Those who steer the vessel need through knowledge of water current, observation power of high order, and they must be well versed in the different aspects of boat racing. The most notable fact in the races of boats in that a single neglected act of a single participant will lead a boat to lord in the race. Most of the major water festivals of the region are associated with legends connected with famous temples like champakkulam (Ambalapuzha), Payipad (Haripad) and Aranmula. There festivals best retain the flavour of ancient Kerala culture, especially the Uthrithathi boat race on the Pampa, in Aranmula, where devotion, music and the sheer artistry and grandeur of the boats, known as Palliyodams, make it a unique experience for the spectators.

   The Boats [Vallangal]
Kuttanadu is a place of boats. Different kinds of boats are seen always roaming over the water of this part of the Kerala state. The boats of kuttanadu are of various types, according to their purpose. Kochuvallams are small boats used to cross rivers and takes. They also range in their sizes. Kettuvallams are largely cargo movers. Churulans are pleasure boats and they are considered to be the conveyance of rich people in olden days. The churulan boats very in length form 12 1/2 to 20 1/4 Koles and their crew ranges from 10 to 36. Chundans are supposed to be navy boats of Chempakassery rulers. It has got a length of more than a hundred feet and usually more than a hundred people are on board. Both the does of the boats are raised form water level. The rear end has a height of about twenty feet form the surface of water. Nearly eighty six persons are rowers, ten to fifteen are to give the rhythm, four are to steer the vessel. It is to be specially noted that the chundans have the maximum maneuverability among all sort of race boats.


The chundan (snake boat) variety of race boats is usually 38 1/2 to 48 1/2 koles (one kole being equivalent to 24 inches) long and accommodates 100 to 150 persons.





Vappu vallams ( Parunthuvalans) are said to be boats that were used to carry stores for the soldiers on board the chundans. ‘Vaipu’  became Veppu" by usage. Vaipu in Malayalam means cooking. The design and appearance of these vehicles differ from all other race boats. The length of Parunthuvalan varies from 28 1/2 to 1/4 Koles and it accommodates 28 to 36 rowers. Oadis or Iruttukuthies have a different origin. They were used for smuggling. It is to be noted, they are seen in plenty in the coastal areas near Cochin and suburbs. Their very design is for speed. Both the does are alike. Manoeuvrability is little, spastically nil. They are never turned and rowed up only in shuttle between, by turning round the rowers. The odi, also called cheru chundan has a length of 28 1/4 to 32 1/4 koles and has 40 to 60 rowers. Various types of boats, all home-made out of indigenous materials are used for the boat races, Ranging from the magnificent snake boat (chundan) nearly a hundred feet long and with 150 rowers, to the smallest one which measures 18 feet and accommodates a dozen crew. The boats are scooped out of single tree trunks, usually ‘Kadampu’ and ‘Anjili’ ( Artocarpus hirusuta). A lot of skill, labour, time and money, go into the making of these boats which are objects of envy and wonder from ages past. The most popular varieties of racing boats are called chundan, churulan, odi (Iruttukuthi) and parunthuvalan (Veppu) and each differs from the other in the shape of the helm and prow, and capacity to accommodate the crew. The differences in the construction of the remaining parts of the boats are not, however, very pronounced. Though the build naturally varies with the boats intended for the placid  Waters of rivers and lakes, and the vessels which have to ply over the open backwaters, where waves and currents have to be encountered. Easy and swift manoeuvrability is the principal concern with the making of boats, which race over rivers and lakes.
The cut water is reduced to the minimum in these boats. Their prows and helms are raised considerably high and  the streamlining is equally horizontal as well as vertical. The chundan and odi are such racing boats. In the construction of boats in tended to negotiate open backwaters, case is taken to see that the cut water descends almost to the keel and top heaviness is avoided by keeping the helm and prow quite low. At either end, the gunwale is curved up to prevent waves dashing in, as in the churulan type of boats. The prow and helm of there boats are of identical build to facilitate easy maneuvering. Of all the race boats, the most importing picturesque and coasty is the chundan , snake boat. The stern of the snake boat rises about 15 feet from the water level, and is embellished with exquisite ornamental designs in burnished brass and wood. The extent of elaborate and expensive ornamentation, characteristic of the local craftsman's skill, indicate the wealth and eminence of the owner of the boat, long and narrow, the snake boats but across the water with majesty and grace.    

Photos





SILENT VALLY NATIONAL PARK

SILENT VALLY NATIONAL PARK



Area 89 sq. Km, Altitude-658 – 2,383 meter  above sea level, Rainfall – 1624.3 mm Maximum Temperature 390 C, Minimum Temperature – 20.4o C. Best time of visit September to March Located in the Kundali Hills of the western Gats, the Silent Valley National Park holds a valuable reserve of rare plants and herbs. The park is rich in its wildlife, and elephants, lion-tailed  macaques and tigers are the most common denizens of this park. A visit to this park should be considered a life time experience, as this is the last representative virgin tract of tropical evergreen forests in India.

  Though smaller in size in comparison to the other national parks in India, makes it unique is the sylvan environment the region has with its high altitude peaks and several rivers that run through it.
     Silent Valley has a very eventful history in comparison to the other wildlife in the country. The local name for the park is Sairandhrivanam (the forest in the valley) and had been a centre of hot debates and protests in the decades of the 70’s and 80’s of the 20th century. The history of the park goes way back to 1888 when the region was declared a reserved land under the forest act and later notified as a reserved forest by the Government of Madras in 1914.
     In the half of the 1970,s Kerala State Electricity Board decided to construct a Hydel Power Project in this region and when in 1980, this region was declared as National Park, the area of Hydel Project was not included. This started fierce discussion and protests and the board had to drop its plan. Subsequently, in 1984, the park was region refortified as a National Park with the project area included. In 1986, the Silent Valley was declared the core area in the Nilgiri Biosphere Reserve

Silent Valley National Park – Location: The Silent Valley National Park is situated in the Palghat or Palakkad district of the southern Indian state of Kerala. A part of the Western Ghat along the Arabian Sea, The park extends from latitude 110 04’ in the North to longitude 760 79’ in the East. The park vested forests of the Palghat and Nilambur divisions in the west and south. In the North, the park is an extension of the Nilagiri Forests.

  Silent Valley National Park – Climate Silent Valley National Park is a heavy rainfall region with the places in the higher altitudes getting the highest rain. The average rainfall in the region varies between 2800 mm and 3400 mm. The park receives most of its rainfall during the southwest monsoon from June to December. The relative humidity is considerably high during this season with the maximum at times going to 950/0 . February are the coolest months, though not much difference in the temperature is experienced.

KATHAKALI



 KATHAKALI

Kathakali is a stylised dance-drama? Is it a pantomime? Can it be called a classical ballet? One of the world's stop-ranking poet and Nobel laureate Rabindranath Tagore was instantly impressed by the aesthetic range and the narative techniques me Kathakali when Kalamandalam presented a programs go Santiniketan. Kathakali was born only in the 17th century. But in less than four centuries it grew up to represent India's cultural heritage to the world outside. An eclectic art Kathakali evolved its classicism receiving inspiration from most of its predecessors viz Koodiyattam, Krishanattam, Theyyam, Martial arts, Padayani, Mudiyett and similar traditions. 
Kathakali plays are composed from the great Indian Epics, The ramayana, the mahabharata, and the Bagavatha. The play synchronizes no stage Nritta (pure dance), Nritya (Expression Dance), Natya (Histrionics), Geeta (Vocal music) and Vadya (Percussion ensemble). Kathakali characters communicate through the language me hand-gestures (over six hundred gestures are in use), body movements and facial expression. The text of the play is sung by the principal and supporting vocalists. The dancers translate the songs into appropriate gestures, movements and expressions. 'Chenda' and 'Maddalam' are the two major percussion instruments used in Kathakali. They provide audio effect to the performance by tracing the character behavior. A curtain (Thiraseela) is held on stage by two persons just before the entry and exit of all the main characters. This is traditional theatrical device to transcend time and space.
Kathakali make-up and costuming is intricate, elaborate and colorful. It takes at least three hours for an actor to transform into a full fledged character with facial make-up, head-gear, ornaments and colorful costumes. Kathakali characters are broadly divided into noble, wicked and grotesque. Their make-up and costumes differ from one another. Love, Separation, virtue Vs vice, comic-relief, emotional struggles, gruesome-war and murder are common scenes in the Kathakali plays. More than the themes, the stylistic of individual performers is the abiding passion me Kathakali fans.

Kalamandalam gives intensive training to young aspirants in Kathakali. Body-massage is a must for Kathakali students. Teachers will massage the students from head to foot in the small hours me the morning during monsoon - June to August. After applying oil through out the body the students have to take a set of exercises. There are also post massage exercises. Massage makes the body of student supple and allows him a lot of flexibility in all his movements on stage. Body massage is a treatment involving strain and pain. Kathakali perhaps adapted this training-technique from Kalaripayattu (Martial arts). In Kalamandalam, Kathakali students are trained in such a way as to master the techniques first. They are later led to character-analysis and emotional identification